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The Waverley Route
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Culture, Posters & Adverts · 1849 · Waverley corridor
The visual world around the railway.
Records must match the selected period. Films must additionally connect to the Waverley corridor—Edinburgh, Midlothian, the Borders or the route itself—so unrelated Glasgow and Highlands material no longer appears here. Broader period posters remain clearly labelled as context.
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Adverts, posters & visual culture · 1849
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1851The Great Exhibition, London
1851All the World Is Going to See the Great Exhibition
1851-1852Official Catalogue of the Great Exhibition
1850A Drop of London Water
1854John Snow's Cholera Map
1855A Hot Night in the Batteries
18 January 1855Lord Raglan's Headquarters
c. 1850A Patient, Many Drugs and an Undertaker
1851Equitable Fire OfficePopular print · 1851
All the World Is Going to See the Great Exhibition
George Cruikshank's crowded comic print captures the excitement and mass movement associated with the 1851 exhibition, at a moment when railways were reshaping British travel.
George Cruikshank / Metropolitan Museum of Art, via Wikimedia Commons · CC0 1.0Exhibition catalogue · 1851-1852
Official Catalogue of the Great Exhibition
The four-volume official catalogue documented raw materials, machinery, manufactures, fine arts and international exhibits; its supplementary volume also carried advertisements.
Interpretive illustration · not an archive imageWellcome Collection · Public Domain MarkPublic-health satire · 1850
A Drop of London Water
This Punch image visualised anxieties about contaminated urban water before the major sanitary reforms of the later nineteenth century.
Interpretive illustration · not an archive imageWellcome Collection · Archive linkPublic-health map · 1854
John Snow's Cholera Map
John Snow mapped deaths around water pumps during the 1854 Broad Street cholera outbreak, helping establish a spatial case for waterborne transmission.
John Snow, via Wikimedia Commons · Public domainCrimean War print · 1855
A Hot Night in the Batteries
William Simpson's published colour lithograph brought a view of British batteries during the Crimean War to the Victorian public.
Library of Congress, via Wikimedia Commons · Public domainCrimean War print · 18 January 1855
Lord Raglan's Headquarters
William Simpson's tinted lithograph records the British headquarters during the Crimean War and the visual material through which distant conflict reached the home audience.
Library of Congress, via Wikimedia Commons · Public domainMedical advertising satire · c. 1850
A Patient, Many Drugs and an Undertaker
A coloured lithograph shows a heavily medicated patient receiving a visit from an undertaker, a pointed contemporary comment on excessive remedies.
Interpretive illustration · not an archive imageWellcome Collection · Archive link